Polyamorous teens, witchcraft, science-fiction conspiracy theories, shoegaze soundtrack galore…yup, it’s a Gregg Araki film. Often shifting between nihilistic dramas and sprightly, wildly post-modern comedies, Araki is certainly one of the most unique and undervalued directors working today, and I honestly think that may have something to do with the sexually frank nature of his films, which embrace all types of experiences, something that’s too much for the sexually repressed nature of Western European civilisation. Kaboom is an amusing and well-crafted film with plenty of sly reference points. It’s a light work, but it hides a good deal of psychological complexity just beneath the surface, particularly in the way it depicts displaced anxiety over sexual identity and the supposedly liberating process of college in the US. A rushed and badly thought-out ending notwithstanding, this is a fine film from Gregg Araki.